Move images & fix references in Wordpress stuff back to 2008
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@ -1,38 +0,0 @@
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---
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author: Chris Hodapp
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comments: true
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date: 2010-12-30 22:46:22+00:00
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layout: post
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slug: macro-photography-attempts-1-and-2
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title: 'Macro photography, attempts #1 and #2'
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wordpress_id: 464
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categories:
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- Photoblog
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- Project
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---
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I picked up some very cheap extension tubes and a reversing ring for my DSLR, hoping to do some macro photography with them. However, I sort of ignored that both my lenses default to having their apertures at their narrowest setting (rather than their largest, which for some reason I assumed) until instructed otherwise whether electronically or via the aperture lever. This made it a bit more difficult to do a lot of the shots. I have a 49 to 52 mm step-up ring coming in the mail which will let me use the old SMC Pentax 50mm lens, which has an aperture ring, but it appears to be on a slow boat from China so it's not coming anytime soon.
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[caption id="attachment_465" align="alignnone" width="685" caption="Part of business card"][****](/wp_old/2010/12/20101208-DSC_1517.jpg)[/caption]
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[caption id="attachment_467" align="alignnone" width="685" caption="LCD monitor"][](/wp_old/2010/12/20101208-DSC_1533.jpg)[/caption]
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[](/wp_old/2010/12/20101208-DSC_1520.jpg)
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CFL
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[caption id="attachment_468" align="alignnone" width="685" caption="Plastic edge in alligator clips"][](/wp_old/2010/12/20101209-DSC_1535.jpg)[/caption]
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[](/wp_old/2010/12/20101209-DSC_1539.jpg)
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Those same alligator clips
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[caption id="attachment_470" align="alignnone" width="685" caption="PCB"][](/wp_old/2010/12/20101209-DSC_1546.jpg)[/caption]
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[caption id="attachment_471" align="alignnone" width="685" caption="Solder pads"][](/wp_old/2010/12/20101209-DSC_1550.jpg)[/caption]
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@ -1,35 +0,0 @@
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---
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author: Chris Hodapp
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comments: true
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date: 2011-06-10 03:45:07+00:00
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layout: post
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slug: first-attempt-at-slide-film
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title: First attempt at slide film
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wordpress_id: 487
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categories:
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- Photoblog
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---
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Having acquired a Nikon FE and some lenses quite inexpensively and verifying on some cheap Walgreen film that they did indeed work, I picked up some Fuji Velvia RVP50 from Cord Camera in Kenwood back in April (it was expensive compared to what Amazon would have charged, but I wasn't about to waste a trip to Kenwood over $10ish). I'd heard enough lavish praise lumped onto slide film, particularly Velvia for its fine grain and color, so I figured it was worth a try.
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Few places left will process slide film but as luck has it I am really close to [Robin Imaging](http://www.robinimaging.com/) who still processes it (and, it sounds like, might be the only lab left in Cincinnati that does). I had them scan it as well and received a disc of 6 megapixel images which is decent (I'm told you can get much higher resolution than that out of a fine-grained film, but I'm not complaining).
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While, somewhat stupidly, I don't have a slide projector yet and so I've only seen the scans and the 35mm slides themselves, I still am very impressed with the results.
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[caption id="attachment_495" align="alignnone" width="685" caption="Cincinnati (Over-the-Rhine specifically) near Vine"][](/wp_old/2011/06/20110606-20-008.jpg)[/caption]
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[caption id="attachment_494" align="alignnone" width="685" caption="Vine Street in about the same area"][](/wp_old/2011/06/20110606-20-007.jpg)[/caption]
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Sadly, my favorite image of the bunch is also the only one where I managed to advance the film wrong:
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[caption id="attachment_493" align="alignnone" width="685" caption="E. Liberty & Walnut. I love how well the film brought out the color."][](/wp_old/2011/06/20110606-20-006.jpg)[/caption]
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[caption id="attachment_492" align="alignnone" width="454" caption="Downtown someplace for Taste of Cincinnati"][](/wp_old/2011/06/20110606-20-005.jpg)[/caption]
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[caption id="attachment_491" align="alignnone" width="685" caption="Obligatory country road shot, this one in Indiana near 56 & 156"][](/wp_old/2011/06/20110606-20-004.jpg)[/caption]
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[caption id="attachment_490" align="alignnone" width="685" caption="56 & Thuermer Hollow in Indiana... little boring, but here it is."][](/wp_old/2011/06/20110606-20-003.jpg)[/caption]
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[caption id="attachment_489" align="alignnone" width="685" caption="Cincinnati, near John & Ezzard Charles"][](/wp_old/2011/06/20110606-20-002.jpg)[/caption]
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[caption id="attachment_488" align="alignnone" width="685" caption="Over-the-Rhine & downtown Cincinnati seen from Bellevue Hill Park"][](/wp_old/2011/06/20110606-20-001.jpg)[/caption]
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@ -10,7 +10,7 @@ categories:
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- Journal
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- Journal
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---
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---
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{{< load-photoswipe >}}
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1. Declared myself a complete asshat for writing a blog about nothing
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1. Declared myself a complete asshat for writing a blog about nothing
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@ -20,10 +20,8 @@ categories:
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3. Broke the printer after two pages
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3. Broke the printer after two pages
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4. Discovered that while both my managers described the intern who had just left as essentially clueless, she had decorated the cubicle in interesting tiny artworks made with post-its and highlighter, like this:
|
4. Discovered that while both my managers described the intern who had just left as essentially clueless, she had decorated the cubicle in interesting tiny artworks made with post-its and highlighter, like this:
|
||||||

|
{{< figure page="images" resource="2008-04-work/cubicleart.jpg" >}}
|
||||||
|
|
||||||
|
|
||||||
5. Was very glad that I took 2 hours several months ago to document WTF I was doing when I left, because I certainly did not remember
|
5. Was very glad that I took 2 hours several months ago to document WTF I was doing when I left, because I certainly did not remember
|
||||||
|
|
||||||
|
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@ -12,14 +12,12 @@ tags:
|
|||||||
- Music
|
- Music
|
||||||
---
|
---
|
||||||
|
|
||||||
[](/wp_old/2008/04/may.jpg)[](/wp_old/2008/04/moderato.jpg)
|
[](/wp_old/2008/04/may.jpg)[](./moderato.jpg)
|
||||||
|
|
||||||
[](/wp_old/2008/04/header2.jpeg)
|
[](./header2.jpeg)
|
||||||
|
|
||||||
**Alexander Blu**
|
**Alexander Blu**
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
* I had a song by this artist from 2005.08.13 (from Interconnected MusicMedia, now known as [SoundLift](http://www.soundlift.com)) which I never really listened to... but finally got around to listening to, and I found the artist is still around and writing songs.
|
* I had a song by this artist from 2005.08.13 (from Interconnected MusicMedia, now known as [SoundLift](http://www.soundlift.com)) which I never really listened to... but finally got around to listening to, and I found the artist is still around and writing songs.
|
||||||
|
|
||||||
|
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@ -13,6 +13,8 @@ tags:
|
|||||||
- midi
|
- midi
|
||||||
---
|
---
|
||||||
|
|
||||||
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
I guess I'll repeat what some other people do, and put up blog entries about what they do with hardware...
|
I guess I'll repeat what some other people do, and put up blog entries about what they do with hardware...
|
||||||
|
|
||||||
**Alix.1C**
|
**Alix.1C**
|
||||||
@ -21,7 +23,8 @@ My [Alix.1C](http://www.mini-box.com/Alix-1C-Board-1-LAN-1-MINI-PCI?sc=8&categor
|
|||||||
|
|
||||||
This board is a 500 MHz AMD Geode with 256 MB RAM onboard; it uses about 5 watts and runs from 12VDC. It has a CompactFlash header onboard, so right now I am running Linux from a 128 MB card.
|
This board is a 500 MHz AMD Geode with 256 MB RAM onboard; it uses about 5 watts and runs from 12VDC. It has a CompactFlash header onboard, so right now I am running Linux from a 128 MB card.
|
||||||
|
|
||||||
[](/wp_old/2008/05/6547.jpg)[](/wp_old/2008/05/6549.jpg)
|
{{< figure page="images" resource="2008-05-hardware/6547.jpg" caption="Alix.1C" >}}
|
||||||
|
{{< figure page="images" resource="2008-05-hardware/6549.jpg" caption="Alix.1C other view" >}}
|
||||||
|
|
||||||
**Edirol PCR-M50**
|
**Edirol PCR-M50**
|
||||||
|
|
||||||
@ -31,23 +34,26 @@ Some said they'd taken it apart and cleaned it to fix it. So I figured that woul
|
|||||||
|
|
||||||
Front cover off, after removing like 50 screws:
|
Front cover off, after removing like 50 screws:
|
||||||
|
|
||||||
[](/wp_old/2008/05/6553.jpg)[](/wp_old/2008/05/6554.jpg)
|
{{< figure page="images" resource="2008-05-hardware/6553.jpg" caption="Edirol keyboard 1" >}}
|
||||||
|
{{< figure page="images" resource="2008-05-hardware/6554.jpg" caption="Edirol keyboard 2" >}}
|
||||||
|
|
||||||
So I started the process of removing keys because I could not see any other way to access the contacts. They grey part on the left in the first picture looks like about the same mechanism as a keyboard or older joystick pad. There are two pads for each key rather than just one, and my guess is that the one nearest the fulcrum is hit slightly sooner than the further one, and the time elapsed between the two hits is used to guess the velocity with which they key was struck.
|
So I started the process of removing keys because I could not see any other way to access the contacts. They grey part on the left in the first picture looks like about the same mechanism as a keyboard or older joystick pad. There are two pads for each key rather than just one, and my guess is that the one nearest the fulcrum is hit slightly sooner than the further one, and the time elapsed between the two hits is used to guess the velocity with which they key was struck.
|
||||||
|
|
||||||
Other than that, just a pretty easy-to-understand design. Each key is held up by a tension spring on the opposite side, and keys slide in and out pretty easily once the springs are gone. The only annoying part was all the white grease everywhere that kept getting all over my hands.
|
Other than that, just a pretty easy-to-understand design. Each key is held up by a tension spring on the opposite side, and keys slide in and out pretty easily once the springs are gone. The only annoying part was all the white grease everywhere that kept getting all over my hands.
|
||||||
|
|
||||||
[](/wp_old/2008/05/6555.jpg)[](/wp_old/2008/05/6556.jpg)
|
{{< figure page="images" resource="2008-05-hardware/6555.jpg" caption="Edirol keyboard 3" >}}
|
||||||
|
{{< figure page="images" resource="2008-05-hardware/6556.jpg" caption="Edirol keyboard 4" >}}
|
||||||
|
|
||||||
And it's just connected electrically with a ribbon cable, normal 0.1" pitch, like an IDE header.
|
And it's just connected electrically with a ribbon cable, normal 0.1" pitch, like an IDE header.
|
||||||
|
|
||||||
[](/wp_old/2008/05/6557.jpg)
|
{{< figure page="images" resource="2008-05-hardware/6557.jpg" caption="Edirol keyboard 5" >}}
|
||||||
|
|
||||||
So I proceeded to remove the first dozen or so keys by pulling out the springs, then white keys and black keys.
|
So I proceeded to remove the first dozen or so keys by pulling out the springs, then white keys and black keys.
|
||||||
|
|
||||||
The PCB in the next pictures looks almost black, but it should be more of a dark green. The lines are dust that came between the keys. In any case, these show the rubber(ish) part on top that the keys strike, and the gold PCB contacts beneath them.
|
The PCB in the next pictures looks almost black, but it should be more of a dark green. The lines are dust that came between the keys. In any case, these show the rubber(ish) part on top that the keys strike, and the gold PCB contacts beneath them.
|
||||||
|
|
||||||
[](/wp_old/2008/05/6562.jpg)[](/wp_old/2008/05/6563.jpg)
|
{{< figure page="images" resource="2008-05-hardware/6562.jpg" caption="Edirol keyboard 6" >}}
|
||||||
|
{{< figure page="images" resource="2008-05-hardware/6563.jpg" caption="Edirol keyboard 7" >}}
|
||||||
|
|
||||||
Conveniently, there are four rubber sections (one per octave). Each two gold pads correspond to a key, and the holes between each are where the rubber section is secured.
|
Conveniently, there are four rubber sections (one per octave). Each two gold pads correspond to a key, and the holes between each are where the rubber section is secured.
|
||||||
|
|
||||||
@ -12,14 +12,15 @@ tags:
|
|||||||
- cincinnati night photo
|
- cincinnati night photo
|
||||||
---
|
---
|
||||||
|
|
||||||
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
Gawd, it's been forever since I've posted. Seeing Mandy post wonderful pictures regularly at http://kalpanasutra.wordpress.com/ has been an inspiration, but alas, I am still incredibly lazy when it comes to blog posting. I'm working on it.
|
Gawd, it's been forever since I've posted. Seeing Mandy post wonderful pictures regularly at http://kalpanasutra.wordpress.com/ has been an inspiration, but alas, I am still incredibly lazy when it comes to blog posting. I'm working on it.
|
||||||
|
|
||||||
In the midst of an eggnog party at Venue 222 I found myself on the roof of the 5-story building, and I absolutely loved the view of downtown Cincinnati from up there.
|
In the midst of an eggnog party at Venue 222 I found myself on the roof of the 5-story building, and I absolutely loved the view of downtown Cincinnati from up there.
|
||||||
|
|
||||||
[](/wp_old/2010/11/20101113-DSC_1325.jpg)
|
{{< gallery >}}
|
||||||
|
{{< figure page="images" resource="2010-11-venue222/20101113-DSC_1325.jpg" >}}
|
||||||
[](/wp_old/2010/11/20101113-DSC_1330.jpg)
|
{{< figure page="images" resource="2010-11-venue222/20101113-DSC_1330.jpg" >}}
|
||||||
|
{{< figure page="images" resource="2010-11-venue222/20101113-DSC_1338.jpg" >}}
|
||||||
[](/wp_old/2010/11/20101113-DSC_1338.jpg)
|
{{< figure page="images" resource="2010-11-venue222/20101113-DSC_1339.jpg" >}}
|
||||||
|
{{< /gallery >}}
|
||||||
[](/wp_old/2010/11/20101113-DSC_1339.jpg)
|
|
||||||
@ -10,6 +10,8 @@ categories:
|
|||||||
- Project
|
- Project
|
||||||
---
|
---
|
||||||
|
|
||||||
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
Having procrastinated for around a month, I finally got around to acquiring the chemicals for a standard cyanotype (I went with [digitaltruth.com](http://www.digitaltruth.com/)) and followed the method given in "The Book of Alternative Photographic Processes" by Christopher James, which my friend Lea loaned me. I started out with a 1/5 batch of each solution (thus 20 g ferric ammonium citrate & 100 mL water, and 8 g potassium ferricyanide & 100 mL water).
|
Having procrastinated for around a month, I finally got around to acquiring the chemicals for a standard cyanotype (I went with [digitaltruth.com](http://www.digitaltruth.com/)) and followed the method given in "The Book of Alternative Photographic Processes" by Christopher James, which my friend Lea loaned me. I started out with a 1/5 batch of each solution (thus 20 g ferric ammonium citrate & 100 mL water, and 8 g potassium ferricyanide & 100 mL water).
|
||||||
|
|
||||||
The book had wonderful, detailed instructions, most of which I ignored for now because I was just trying to get the feel of the cyanotype process...
|
The book had wonderful, detailed instructions, most of which I ignored for now because I was just trying to get the feel of the cyanotype process...
|
||||||
@ -45,13 +47,13 @@ So I tried to follow that advice on the third attempt I made... actually, I want
|
|||||||
|
|
||||||
Here's the exposed, but not developed, print:
|
Here's the exposed, but not developed, print:
|
||||||
|
|
||||||
[](/wp_old/2010/12/cyanotype0001.jpg)
|
{{< figure page="images" resource="2010-12-cyanotypes/cyanotype0001.jpg" >}}
|
||||||
|
|
||||||
The gradient in the top left is a strip of paper that I moved away at periodic intervals. I placed several strips of paper to the right but they were removed first and aren't visible here. The Hive13 logo also has a faint image to the left, probably from me moving the print early in the exposure and jolting the negative a little.
|
The gradient in the top left is a strip of paper that I moved away at periodic intervals. I placed several strips of paper to the right but they were removed first and aren't visible here. The Hive13 logo also has a faint image to the left, probably from me moving the print early in the exposure and jolting the negative a little.
|
||||||
|
|
||||||
I developed the print (just rinsed it in cold water until the water ran clear) and let it dry for maybe 7 hours:
|
I developed the print (just rinsed it in cold water until the water ran clear) and let it dry for maybe 7 hours:
|
||||||
|
|
||||||
[](/wp_old/2010/12/cyanotype0002.jpg)
|
{{< figure page="images" resource="2010-12-cyanotypes/cyanotype0002.jpg" >}}
|
||||||
|
|
||||||
There are a lot of artifacts here. The darker border might be from the edges of the acetate on the negative. The things in the top left are some etching on one of the plates of glass that I used to hold the negative. In the undeveloped print, the strip to the right of that has clearly visible steps of tone, and I find it a little weird that all of these developed to pure white, while areas that are all the same color in the undeveloped print turned into clearly different tones in the developed one. I probably should read up on how to control this better.
|
There are a lot of artifacts here. The darker border might be from the edges of the acetate on the negative. The things in the top left are some etching on one of the plates of glass that I used to hold the negative. In the undeveloped print, the strip to the right of that has clearly visible steps of tone, and I find it a little weird that all of these developed to pure white, while areas that are all the same color in the undeveloped print turned into clearly different tones in the developed one. I probably should read up on how to control this better.
|
||||||
|
|
||||||
@ -8,14 +8,16 @@ title: Cyanotypes & better results
|
|||||||
wordpress_id: 473
|
wordpress_id: 473
|
||||||
---
|
---
|
||||||
|
|
||||||
Lack of some amount of sunshine is rarely a problem here, it seems. I did this next cyanotype outdoors in very overcast light while it was snowing lightly. The snow was minor since a sheet of glass covered everything, and overcast light possibly was perfect because of how even and omnidirectional it was. The contrast that I got in this print surprised me; the dark areas just turned out so much darker than the last print.
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
[caption id="attachment_474" align="alignnone" width="530" caption="Same paper & solution, but exposed in overcast sunlight. "][](/wp_old/2010/12/20101206-cyanotype0003.jpg)[/caption]
|
Lack of some amount of sunshine is rarely a problem here, it seems. I did this next cyanotype outdoors in very overcast light while it was snowing lightly. The snow was minor since a sheet of glass covered everything, and overcast light possibly was perfect because of how even and omnidirectional it was. The contrast that I achieved in this print surprised me; the dark areas just turned out so much darker than the last print.
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2010-12-cyanotypes/20101206-cyanotype0003.jpg" caption="Same paper & solution, but exposed in overcast sunlight." >}}
|
||||||
|
|
||||||
I still had sensitizer left, so I decided to try some prints on fabric as well. These I exposed for almost 2 hours, maybe longer, under a 200 watt bulb. They didn't turn out as even as I'd like, but I was rushing things a bit and some spots of the towel weren't fully dry when I started exposing. However, I'm still impressed with how it turned out.
|
I still had sensitizer left, so I decided to try some prints on fabric as well. These I exposed for almost 2 hours, maybe longer, under a 200 watt bulb. They didn't turn out as even as I'd like, but I was rushing things a bit and some spots of the towel weren't fully dry when I started exposing. However, I'm still impressed with how it turned out.
|
||||||
|
|
||||||
[caption id="attachment_475" align="alignnone" width="685" caption="Exposure on a towel from Target; exposed ~ 2 hours under 200 W bulb."][](/wp_old/2010/12/20101212-CIMG0269.jpg)[/caption]
|
{{< figure page="images" resource="2010-12-cyanotypes/20101212-CIMG0269.jpg" caption="Exposure on a towel from Target; exposed ~ 2 hours under 200 W bulb." >}}
|
||||||
|
|
||||||
[caption id="attachment_476" align="alignnone" width="685" caption="Same towel up close(ish)"][](/wp_old/2010/12/20101212-CIMG0270.jpg)[/caption]
|
{{< figure page="images" resource="2010-12-cyanotypes/20101212-CIMG0270.jpg" caption="Same towel up close(ish)" >}}
|
||||||
|
|
||||||
Rob next door to the Hive loaned me a halftone negative he had (since I had nothing else on hand in the way of transparencies) and I made a few exposures of this, but had some problems with the highlights. I really should find some negatives that aren't monochrome (as this was, being a halftone image) so I can figure out how to get the tones right.
|
Rob next door to the Hive loaned me a halftone negative he had (since I had nothing else on hand in the way of transparencies) and I made a few exposures of this, but had some problems with the highlights. I really should find some negatives that aren't monochrome (as this was, being a halftone image) so I can figure out how to get the tones right.
|
||||||
@ -0,0 +1,26 @@
|
|||||||
|
---
|
||||||
|
author: Chris Hodapp
|
||||||
|
comments: true
|
||||||
|
date: 2010-12-30 22:46:22+00:00
|
||||||
|
layout: post
|
||||||
|
slug: macro-photography-attempts-1-and-2
|
||||||
|
title: 'Macro photography, attempts #1 and #2'
|
||||||
|
wordpress_id: 464
|
||||||
|
categories:
|
||||||
|
- Photoblog
|
||||||
|
- Project
|
||||||
|
---
|
||||||
|
|
||||||
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
|
I picked up some very cheap extension tubes and a reversing ring for my DSLR, hoping to do some macro photography with them. However, I sort of ignored that both my lenses default to having their apertures at their narrowest setting (rather than their largest, which for some reason I assumed) until instructed otherwise whether electronically or via the aperture lever. This made it a bit more difficult to do a lot of the shots. I have a 49 to 52 mm step-up ring coming in the mail which will let me use the old SMC Pentax 50mm lens, which has an aperture ring, but it appears to be on a slow boat from China so it's not coming anytime soon.
|
||||||
|
|
||||||
|
{{< gallery >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101208-DSC_1517.jpg" caption="Part of business card" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101208-DSC_1533.jpg" caption="LCD monitor" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101208-DSC_1520.jpg" caption="CFL" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101209-DSC_1535.jpg" caption="Plastic edge in alligator clips" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101209-DSC_1539.jpg" caption="Those same alligator clips" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101209-DSC_1546.jpg" caption="PCB" >}}
|
||||||
|
{{< figure page="images" resource="2010-12-macro/20101209-DSC_1550.jpg" caption="Solder pads" >}}
|
||||||
|
{{< /gallery >}}
|
||||||
@ -0,0 +1,37 @@
|
|||||||
|
---
|
||||||
|
author: Chris Hodapp
|
||||||
|
comments: true
|
||||||
|
date: 2011-06-10 03:45:07+00:00
|
||||||
|
layout: post
|
||||||
|
slug: first-attempt-at-slide-film
|
||||||
|
title: First attempt at slide film
|
||||||
|
wordpress_id: 487
|
||||||
|
categories:
|
||||||
|
- Photoblog
|
||||||
|
---
|
||||||
|
|
||||||
|
{{< load-photoswipe >}}
|
||||||
|
|
||||||
|
Having acquired a Nikon FE and some lenses quite inexpensively and verifying on some cheap Walgreen film that they did indeed work, I picked up some Fuji Velvia RVP50 from Cord Camera in Kenwood back in April (it was expensive compared to what Amazon would have charged, but I wasn't about to waste a trip to Kenwood over $10ish). I'd heard enough lavish praise lumped onto slide film, particularly Velvia for its fine grain and color, so I figured it was worth a try.
|
||||||
|
|
||||||
|
Few places left will process slide film but as luck has it I am really close to [Robin Imaging](http://www.robinimaging.com/) who still processes it (and, it sounds like, might be the only lab left in Cincinnati that does). I had them scan it as well and received a disc of 6 megapixel images which is decent (I'm told you can get much higher resolution than that out of a fine-grained film, but I'm not complaining).
|
||||||
|
|
||||||
|
While, somewhat stupidly, I don't have a slide projector yet and so I've only seen the scans and the 35mm slides themselves, I still am very impressed with the results.
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-008.jpg" caption="Cincinnati (Over-the-Rhine specifically) near Vine" >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-007.jpg" caption="Vine Street in about the same area" >}}
|
||||||
|
|
||||||
|
Sadly, my favorite image of the bunch is also the only one where I managed to advance the film wrong:
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-006.jpg" caption="E. Liberty & Walnut. I love how well the film brought out the color." >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-005.jpg" caption="Downtown someplace for Taste of Cincinnati" >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-004.jpg" caption="Obligatory country road shot, this one in Indiana near 56 & 156" >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-003.jpg" caption="56 & Thuermer Hollow in Indiana... little boring, but here it is." >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-002.jpg" caption="Cincinnati, near John & Ezzard Charles" >}}
|
||||||
|
|
||||||
|
{{< figure page="images" resource="2011-06-slide-film/20110606-20-001.jpg" caption="Over-the-Rhine & downtown Cincinnati seen from Bellevue Hill Park" >}}
|
||||||
@ -1,5 +1,6 @@
|
|||||||
---
|
---
|
||||||
layout: post
|
layout: post
|
||||||
|
date: 2012-08-16
|
||||||
title: Thoughts on tools, design, and feedback loops
|
title: Thoughts on tools, design, and feedback loops
|
||||||
status: publish
|
status: publish
|
||||||
type: post
|
type: post
|
||||||
|
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